Commentary and Philosophy Poetry posted March 13, 2012 | Chapters: | ...3 4 -5- 6... |
how contrast both condemns and empowers us
A chapter in the book I Hereby Crown Thee ...
A Dream of Droll Dichotomy's Design
by Fleedleflump
I In every sunrise lurks the lee of night, the aftermath of nightmare's chill decree, emulsifying streams of terror's might into the gulf of daytime's killing spree. These ghosts, we bear like children of our fears that wail away the fabric of our minds until, in tattered threads, we soak our tears on tissues of our life, with lies and blinds; the benefits that sanctify with balm and mollify the edges of the pain. In decades' hindsight, sadness shatters calm as understanding burgeons in the vein; that thought is overwrought, and justice claimed by tyrants of interpretation's strength, and in our minds' perceptions we're defamed because we measure power's vim, not length, for only death exists to quell the storm, if final wry soliloquies conform. II If final wry soliloquies conform to bind us in subservience to stars, they tease us from the sky in which they swarm and mock our words with glory from afar. Our only freedom rests in passion's vent, expression borne on streams of consciousness to lap against what consciences prevent from seeing light or understanding bliss with anything but darkened, hooded eyes that bat with ineffective deference against the cloak designed to mesmerise with fallow lies the sight of our defence. So poise those pens, you brave almighty scribes, you articles of words' sly, patient reign across the culture drowning in the jibes of pop tart defamation's cliched stain evaporating all the sense we shot; with rhetoric, we follow better plots. III with rhetoric, we follow better plots unto a land of dreams without aplomb, to effervesce in nature's bubbling pot and understand the beauty of the bomb. So finally, we comprehend the truth; that contrasts hide connections unresolved. Reality is perfectly uncouth and nothing in the world has yet evolved beyond an ooze that yearns to seize the day with dominant compassion and a dream, to suffocate with hopeful tourniquets all traces of the danger in the seams of senses' limits and perception's role. We are the enemy we must unseat, the devil we incarnate in the hole we dug to hold detritus of defeat beneath the well from which denial springs, a symbol of the sustenance fear brings. IV A symbol of the sustenance fear brings is wrought in brands we burn into the hides of worker drones that weave as profit sings an aria to rote, fame, lust and brides who work towards that perfect match's grasp; the lifelong hold of power's verity. It's damaged gloss reflecting light we clasp, the chipped veneer of cloaked barbarity applied in coats so thick we can deny an education of misanthropy. We worship lies designed to justify the slaves we show in stunning panoply. Wrapped up in comfort sanctified by hope that we might trick the angel at the gate, we head into the future, and we cope so long as none may hold us in debate of all the sacrifices made for good while shadowing our faces in a hood. V While shadowing our faces in a hood; a firewall built against all question's gaze, we generate connections understood by only minotaurs lost in the maze of circuitry and airwaves uncontrolled except by artificial thinking's wiles. For every dream that dares to break the mould, a nightmare draws reality in tiles. Invention is a fantasy; our yearning for urgent breath to shake monotony engaging us in predetermined learning designed to trap our minds in felony committed on the hopes of artists' thoughts and predilections to avoid the heap. Rebellion's the natural state we ought to hide if our society's to keep financial hold; dominion 'cross the earth we've hated since the day pain gave us birth. VI We've hated since the day pain gave us birth, and only death has perspicacity enough to elevate us from the dearth of barren listlessness' capacity to keep us mediocre and defined as creatures of the instincts we all trust to generate the glee that makes us blind, not realising just beneath the crust potential lurks, available and full. We sit upon our castles, hoarding fun as though to share a hand will only pull the pins from our grenades, and turn our tuns into a fresh horizon all can view with vuln'rable delight and shy approach. Just one dark soul need sacrifice anew to start a chain reaction of reproach, and thereby find a path all creeds can walk. Of generosity, all creeds can talk. VII Of generosity, all creeds can talk, so language cannot stifle our attempts to weave a rope so strong that none will balk, each human twining like a strand of hemp so all can climb into the guiding glare with aspiration's elevated fire. Inducted in a sigh beyond compare, the world will see potential doesn't tire when mined with open minds and fervent grip upon the haft of demonstration's blade. We'll take society on such a trip with pillars to the sun our fervour made. We only need remember, with the dusk, to batten down the hatches while the dark invades with calculation and the husk we shed with understanding, bright and stark, that sometimes evil dwells behind the light; in every sunrise lurks the lee of night. |
A Crown of Heroic Sonnets contest entry
Recognized |
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My thanks to Yeltel for sponsoring the contest that gave rise to this piece.
My additional thanks to Brooke (Adewpearl) for catching nits early enough for me to correct them, Rama Devi for her essay's worth of thoughts, and Yeltel and Ashley Scott for rooting out rhyme issues.
A Crown of Heroic Sonnets is seven heroic sonnets in sequence, connected by repeating the final line of each as the first line of the next. In addition, the final overall line must be the same as the opening line, bringing the whole piece full circle. Each heroic sonnet is four quatrains with an ABAB rhyme scheme followed by a rhyming couplet, with all 18 lines written in iambic pentameter.
As regular readers will know, my muse has been stuck on the concept of mixed blessings recently; of how good things can harm, and bad things can be beautiful. This feels like the culmination of those themes. Perhaps now I can move on!
I know this is a monster-longy, but I've promoted all I can, so hopefully it's worth your while. If you're not into the technical side of poetry, I'm more than happy to hear you reaction to rhythm, sensation, theme and words.
I hope you enjoyed the read, and if you like the form, please feel free to browse back through previous chapters :-)
See below a live performance of Our Solemn Hour by Within Temptation and the Metropole Orchestra. Ostensibly about the futility of war, it speaks to me of the contemporary human condition that inspired my poem. Don't be fooled by the catchy chorus; this is a song with plenty to say.
Mike
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.
.
.
Pays
one point
and 2 member cents. .
My thanks to Yeltel for sponsoring the contest that gave rise to this piece.
My additional thanks to Brooke (Adewpearl) for catching nits early enough for me to correct them, Rama Devi for her essay's worth of thoughts, and Yeltel and Ashley Scott for rooting out rhyme issues.
A Crown of Heroic Sonnets is seven heroic sonnets in sequence, connected by repeating the final line of each as the first line of the next. In addition, the final overall line must be the same as the opening line, bringing the whole piece full circle. Each heroic sonnet is four quatrains with an ABAB rhyme scheme followed by a rhyming couplet, with all 18 lines written in iambic pentameter.
As regular readers will know, my muse has been stuck on the concept of mixed blessings recently; of how good things can harm, and bad things can be beautiful. This feels like the culmination of those themes. Perhaps now I can move on!
I know this is a monster-longy, but I've promoted all I can, so hopefully it's worth your while. If you're not into the technical side of poetry, I'm more than happy to hear you reaction to rhythm, sensation, theme and words.
I hope you enjoyed the read, and if you like the form, please feel free to browse back through previous chapters :-)
See below a live performance of Our Solemn Hour by Within Temptation and the Metropole Orchestra. Ostensibly about the futility of war, it speaks to me of the contemporary human condition that inspired my poem. Don't be fooled by the catchy chorus; this is a song with plenty to say.
Mike
.
.
.
.
.
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