FanStory.com - Birth of Plasticby Terrence Francis
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A Doomsday Scenario
Birth of Plastic by Terrence Francis
Sunday, Monday, Doomsday... writing prompt entry

The last trickle of humanity’s lifeblood vanished into the earth on a sweltering summer afternoon. It started with hushed whispers among scientists, still bound by optimism. The doomsday whispers grew louder as time wore on, becoming a chorus for a self-made apocalypse. Microplastics, the silent invaders, had conquered the very essence of life, and we were too busy swimming in convenience to notice.
Research from 1973 to 2018 had shown a consistent decline in sperm counts by 1.2% annually. It was a creeping death, masked by graduality. By 2023, the situation had become dire. Scientists discovered that microplastics, minuscule remnants of our single-use addiction, held the key to our downfall.
Dr. Veronica Broussard sat at her cluttered desk, sifting through data with weary eyes. Polyethylene from bottles and bags, PVC from pipes and healthcare tools—these were supposed to be harmless conveniences. Instead, they carried harmful chemicals that disrupted hormonal balances. Testosterone levels plummeted, and with them, the ability to create healthy sperm. The extinction of the human race had been stamped with the invisible ink of microplastics.
As fertility rates declined, governments worldwide grappled with horror and denial. Abortion, already a fraught issue, became an explosive topic. Pro-choice and pro-life advocates clashed with renewed fervor, each side fighting what they perceived to be a life-or-death battle. In reality, humanity's true enemy was already laced through our veins and woven into the tapestry of our organs.
By 2040, fertility clinics became the last bastions of hope, yet they too succumbed to despair. Couples arrived with shattered dreams, and there was only so much that technology could do against a tide of microplastic-induced sterility. Veronica, watching the clinic’s waiting room fill with desperate faces, she could no longer offer hope.
In a last-ditch effort to stem the irreversible tide, global leaders introduced the Lifeline Act. The act focused on intensive clean-up operations, banning single-use plastics, and delving into advanced reproductive technologies. But the measure was merely a bandage where a pressure dressing was needed. The populace had grown accustomed to modern conveniences, and fervent resistance met every proposed change.
Outside the clinic, demonstrators gathered with placards proclaiming their stances on abortion. In their fights for ideological supremacy, they overlooked the ghost among them—floating particles of polyethylene and PVC. These microplastics carried chemicals like phthalates and bisphenol A, slowly and irrevocably transforming fertile lands into barren deserts.
Inside, Veronica met with her partner, Dr. Emilio Vargas. "It’s spreading. We’ve detected microplastics in newborns now," he said, voice heavy with the weight of soon-to-be regrets.
Veronica sighed, a gesture that bore more than exhaustion. "It's becoming a nightmare beyond science. The toxins, they're not just impacting fertility—they’re accelerating genetic decay."
Every news outlet buzzed with the looming catastrophe. Abortion opponents insisted that the declining birth rates were divine punishment, a consequence of humanity's moral failings. Pro-choice proponents argued that bodily autonomy was more critical now than ever. They shouted past each other, oblivious to the plastic poison swirling invisibly around them.
Years melted away, much like the polar ice caps. By 2055, birth rates had plummeted to unprecedented lows. Schools shuttered, and towns grew eerily quiet. The world's hue shifted from vibrant colors of bustling life to absolute desolation, shadowed by emptiness.
Veronica and Emilio spent sleepless nights in their lab, emerging less frequently to a world that had started to forget what children’s laughter sounded like. "We need to tell them," Veronica whispered one evening, staring listlessly at a microscope.
"Tell them what? That we’re too late?" Emilio’s voice carried resignation. "That we bred our own extinction in petrochemical vats?"
"In a way, yes. They need to know why we’re ending."
The last televised broadcast aired on a foggy September morning. Veronica stood before the camera, broadcasted to billions—if any still cared to watch. "Humanity's final war wasn't against each other. It was against our creation—microplastics. In our quest for convenience, we turned a blind eye to the silent killer. This is the result."
The screen flickered off, plunging the world into silence. Days, weeks, months passed. Veronica and Emilio shut the clinic doors one final time, swept clean by the wind, settling over the empty streets like a shroud.
In the absence of humans, nature tried to reclaim what was left. Trees bore fruit that fell uneaten, rivers ran clean but unvisited, and buildings crumbled under the weight of vines. The wind whispered through the skyscrapers, the only sound left in a world once teeming with life but now capitulated to stillness.
The end hadn't come in a flash of fire or a bang, but in countless unseen particles, stealthily ensuring that humanity would become a memory, buried under layers of decomposing plastic and forgotten ideals.
In the end, it wasn’t the arguments about the sanctity of life or the right to choose that decided humanity’s fate. It was what we chose to ignore.


Writing Prompt
Write a flash fiction story up to 700 words that involves a doomsday scenario. Anything goes, but the end of the world, or its perception, must be a driving force in your story.

     

© Copyright 2024. Terrence Francis All rights reserved.
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