General Poetry posted July 7, 2015 Chapters:  ...258 259 -260- 261... 


Excellent
Not yet exceptional. When the exceptional rating is reached this is highlighted
A Petrarchan Sonnet
A chapter in the book Little Poems

This Golden Hour

by Treischel



The Golden hour is a magical time.
It comes at dusk, near the end of the day,
Where shadows all grow longer as they play
In mystical moments, so sweet, sublime,
As rays of sunshine softly reach decline,
They set a golden glow upon the bay.
The golden hour, as photographers say,
Is just the perfect time, when light is prime.

So then, I sought out this magical place,
To see myself whether those tales were true,
And searched about for such a special space
Where Midas' touch had left his golden trace.
Became impressed, as my amazement grew
From glorious sight in golden embrace.





Any photographer can tell you that the best time to take photographs is about an hour before sunset, when the sun is still bright and the shadows are long. That time is known as the Golden Hour. I tried to capture that here in this photograph and in my poetic verse. This bay is on the Mississippi River just across from the downtown area of St. Paul, Minnesota.

This poem is a Petrrarchan Sonnet.
The Petrarchan Sonnet is also known as the Italian Sonnet. The most famous early sonneteer was Petrarca (known in English as Petrarch). The Sonnet was created by Giacomo da Lentini, head of the Sicilian School under Emperor Frederick II. The first ones were written in Italian. The structure of a typical Italian sonnet of this time included two parts that together formed a compact form of "argument". First, the octave (two quatrains), forms the "proposition", which describes a "problem", or "question", followed by a sextet (two tercets), which proposes a "resolution". Typically, the ninth line initiates what is called the "turn", or "volta", which signals the move from proposition to resolution. Even in sonnets that don't strictly follow the problem/resolution structure, the ninth line still often marks a "turn" by signaling a change in the tone, mood, or stance of the poem.

Later, the a-b-b-a, a-b-b-a pattern became the standard for all Italian sonnets. For the closing sextet (last six lines) there were two different possibilities: c-d-e-c-d-e and c-d-c-c-d-c. In time, other variants on this rhyming scheme were introduced, such as c-d-c-d-c-d.

For this poem I chose the c-d-c c-d-c structure.
Therefore the complete rhyme scheme for this poem is:
abababba-cdccdc.

This photograph was taken by the author himself on January 8, 2012.
Pays one point and 2 member cents.


Save to Bookcase Promote This Share or Bookmark
Print It Print It View Reviews

You need to login or register to write reviews. It's quick! We only ask four questions to new members.


© Copyright 2025. Treischel All rights reserved.
Treischel has granted FanStory.com, its affiliates and its syndicates non-exclusive rights to display this work.